I know people who say (& I have no reason to doubt them) that, if I ask them to visualise a horse see a horse, where I see manes, fields, hooves, horseshoes, a muscular flank beneath a glossy hide. I know the reverse is true for many people - they love audiobooks, a narrator brings to life a text that if they read it on the page might do little for them. but either way just as vision is not the core of my imagination - my ears are not the gateway to my reading soul. Perhaps it's not being in charge of the pacing, not being able to linger or to race. Highly emotional passages fall flat for me - excitement fails to build. In general I find when I listen to writing read aloud, even by experts, it has far less impact on me than when I read it from the page. Perhaps it's because my imagination is resident in the language - rather than an image that I then need language to translate - that people seem to like my prose.Ĭontinuing the theme of sensory integration/experience and how it relates to writing and consuming writing: I can't listen to my audiobooks. When I write I think in terms of the words, the language, how it makes me feel - I'm not seeing a TV image in my head and trying to describe it to you - I'm trying to find the language that evokes what I'm thinking about, and what I'm thinking about isn't a picture - it's a complex, shifting mass of associations, sprinkled with flashes of different views and images. I glimpse aspects of images among a shifting mix of associations and changing/connected forms. I'm not quite in the 3-5% but I certainly never 'see' crystal clear images in my mind.

Bid the Gods Arise by Robert Mullin